Paradigms of Relationships in Faulkner, Woolf and Vian

The paradigms within human relationship are shaped by a multitude of factors which tug at the edges ability to form interpersonal bonds with influence experience. What constitutes experience, then, can be argued in several different manners. However, it is interpretation conventional, institutional education minds characters Williams Faulkner’s Light August, Virginia Woolf’s To Lighthouse, and Boris Vian’s Mood Indigo that sets course for trajectory their relationships others themselves. various frameworks characters’ respective educations allow them express what has been fed how interpret, knowledge. Once they able identify experience through learning, these concepts, religious tenets, awareness factual circumstances, fixed categories imposed on reality, ostensible truth as defined ideology, applied models relationship, often disastrous or emotionally numbing results sticking pre-defined notion apply one taught one’s personal life. August utilize an organic absorption conventional religion teaching, well relying past intuition traverse relationships, while intellectual pursuits Ramsays acquaintances (particularly male figures) Lighthouse lead define using ideas instead raw emotion In comparison, beautiful tragic youth transform into goods material consumption, notions become synonymous indulgence objectifying traditional forms knowledge monetary, even human, form. point desires converge possibly inseparable, marks intersection not only between compromise co-existing powerful, learned ideas, but also parallels self-acquired differ from institutionalized thought. Can distinctions methods more less successful do arrive same conclusion; disintegration previously cherished relationships? Is then possible co-exist peacefully? If not, perhaps this collision world fiction catalyzes perpetual uncertainty regard both ideas.